May 1, 2005

Welcome to the official Larry Maluma website. 100% roots reggae.

REVIEWS


Makani angu
(My story)

(Independent)

Larry Maluma is a quiet achiever who, since migrating to Australia from Zambia in 1986, has gone about establishing himself as one of the very few African - Australian reggae recording artists. A chart-topper in his native land, Larry has established a firm following in his adopted country via his previous eight releases - which include Hallelujah, Man and woman, Nuff is enough, Motion, Roots and Herbs and his most recent compilation, A good cause.
After a break from work in the studio, Larry has put together Makani angu (My story), which employs a wide range of musicians and is an instantly likeable compilation full of vibrant energy. Featuring trippy rhythms, tribal beats with a deluge of percussion and an irresistible energy, Makani angu sees Maluma creating reggae music with several twists. Singing in combinations of English and Zambian languages - Tonga, Nyanja and Bemba - Maluma pieces together his individualistic strain of roots music. Focusing on themes of racial harmony, equality and social cohesion, Makani angu is accessible but always willing to take the listener by surprise. Whilst some of the tracks seem to employ simplistic lyrics - take for example No Parking, a song which centres on a person's discontent over a particular vigilant parking inspector - each song is very much a statement. Whether the tracks are exploring night-time loneliness (Sleepless) or the terrible pressure placed upon darker women to appear like European (Ma Ambi), Maluma is a songwriter who doesn't waste words or indulge in shallow sentiments. Indeed the album is infused with a healthy political vibe, with tracks such as Every Bank Is A Prison speaking out in no uncertain terms against the encroachment of capitalist society. It is an album too of African solidarity and affirmation, with songs such as African Dream painting pictures of the African landscape, culture and people.
This is an eminently enjoyable album that is well-produced and displays some true musicianship. Maluma is definitely an artist to be supported.
Sarah Norman
Beat Magazine 30/03/05


"Roots & Herbs"

From Zambia to Australia in 1985, ‘Roots & Herbs’ is Larry Maluma’s 7th album. There’s something new and yet very familiar about this album. It’s Maluma’s own unique brand of ‘Roots’ music, brewed in an African pot and seasoned with herbs from around the world. He sings in a combination of English and African languages. Like most of his previous releases, Maluma records with some of Australia’s best musicians to create a combination of words like magic.

Review from www.potent.com.au


"Roots & Herbs"
Larry Maluma
(Safari) ****
As with his previous six efforts since Confusion (1987), Melbourne-based Zambian musician Larry Maluma keeps it lyrically terse and musically rich. This is chunky roots-rock reggae spiced with his floating blues rock guitar over deliberate, beefy rhythms that include Nicky Bomba's seductive one-drop drumming. Nothing could be more laconic than the mid-paced Come With Me, yet its spacious, free flowing excitement bubbles along in an addictively happy-go-lucky atmosphere. Maluma might intermittently make feel-good music, but that doesn't mean it's devoid of a philosophical stance. The "I-am-what-I-am" title track is suggestive of his beliefs. On the preachy Junk Food, this contemporary African herbsman berates bad diet over a delightfully tight reggae cadence, while the impeccable backing voices of Angela Lybrandy and Annette Roche join in a trance-like call-and-response with Maluma.

Terry Reilly -
From The Age EG, Friday October 6, 2000


LARRY MALUMA
Roots & Herbs (Safari Music)
Liistening to this I'm surprised that Larry Maluma isn't more well-known. He's a charismatic performer with a voice to match any international reggae star. I guess it's an example at how blinded Australian audiences are to exotic sounds. Maluma's sound is hardcore roots as the basslines slither around the chucking guitars and percussion. The lyrics have the same directness and simplicity of reggae's 1970's golden age. The title track has the feel at Rita Marley's One Drraw' or the Mighty Diamonds' 'Pass The Kutchie. I presume it's a smoking anthem, although you never know. The horn lines herald a different state of mind as they ascend and descend through the mix. 'Nitandizindi (Help Me)' is moreaggressive- recalling the Exodus-era Wailers with its tense wah-wah guitar but moves from a fast-paced verse to a more plaintive chorus. The horns croon as Maluma wails like Peter Tosh over the top. 'Stick Together' is almost jail funk with it's trumpet intro and it's James Brown-like bassline. 'Alma Boora (She/He Is a liar)' is pure African township jive with more melody and chord changes than the straight reggae. 'You Want To Dance' is simple lyrically that it almost sounds corny but the tune is so infectious that in the mix the overall effect is very powerful.

DAVID TRETHEWIE - Beat Magazine, August 2000.


More on Roots & Herbs...
"Definitely one of the most professional Australian Reggae Release of all Time"
Jessie I. 3PBSfm

"He's a charismatic performer with a voice to match any International Reggae star."
David Trethewie. Beat Magazine.

"Absolutely Hotter Than Ever"
Jasper Hall. Triple J.

"An album full of surprises - and not just a Reggae album."
Sam g - 3RRR



"Hallelujah"
Larry Maluma and Kalimba
Roots reggae with a difference

If you like African roots reggae with a bit of funk and soul influence, Larry Maluma and Kalimba is the band to see. On July 17, at the Central Club in Richmond, Maluma and his band got the crowd grooving at the launch of the “Le Man” video clip, from their latest album, Hallelujah.
Larry, originally from Zambia, has been in Australia for seven years. In Australia he formed Kalimba, naming the band after a traditional African ceremonial instrument. During this time he has worked with musicians from a variety of cultural backgrounds, adopting styles which he has used to blend his own brand of roots music.

Hallelujah was produced partly in Australia and partly in Zambia. The trip back to his homeland was a great source of inspiration for this musician. Many of the songs were written about traditional African culture and values; they are sung in a combination of English, Bemba and Nyanja.

The resulting unique sound has put his albums at the top of the charts Zambia.

Many of the songs on Hallelujah have a strong moral flavour, stressing the importance of family and traditional values; for instance, “Kalindawalo” has the message that material wealth and a powerful social position mean very little if you don't have the support of a large and loving family.

Larry Maluma and Kalimba are preparing for a national tour with dates to be announced soon. The combination of musical styles is dynamite. If you like African and reggae music and enjoy an energetic night of dancing (or even listening), you will definitely enjoy the sensual music of Larry Maluma and Kalimba.

Reviewed by Loretta Asquini and Katrina Newton


© 2005 larrymaluma.com.au